Who is adolph gottlieb

To my mind certain so-called abstraction is not abstraction at all. On the contrary, it is the realism of our time. I never abstract from nature; I never consciously think of nature when I paint. We are for the large shape because it has the impact of the unequivocal. We wish to reassert the picture plane. We are for flat forms because they destroy illusion and reveal truth. Summary of Adolph Gottlieb Growing up during the Depression and maturing throughout the interwar period and the rise of Hitler, American painter Adolph Gottlieb staunchly defended the art of the avant-garde - Abstract Expressionism in particular - for its ability to express authentic feeling in the face of the trauma of World War II.

Read full biography. Read artistic legacy. Artwork Images. Influences on Artist. Milton Avery. John Graham. Giorgio de Chirico. Mark Rothko. Barnett Newman. Clement Greenberg. Geometric Abstraction. African Art. Jackson Pollock. Lawrence Alloway. American Contemporary Art Gallery.

Compartments of Memory , ca. Figure 8 , Braswell Fine Art. Crimson Ground , Peyton Wright Gallery. Black Field , Flurry , Red Ground , Upsilon Gallery. The Cage , Braun, Emily. Mario Sironi and Italian Modernism. Cambridge: Cambridge University Press, illustrated. The Collector as Patron in the Twentieth Century exhibition catalogue.

Conrad Marca—Relli: Works — exhibition catalogue. Crannell, Kenneth C. Voice and Articulation , 4th edition. Belmont, California: Wadsworth Publishing Company, cover.

Dreaming With Open Eyes exhibition catalogue. Dreams — Science, Art and the Unconscious Mind exhibition catalogue. Text by Diane Waldman. New York: Joseph Helman Gallery, illustrated.

A Movable Feast of American Art exhibition catalogue. Aarau, Switzerland: Aargauer Kunsthaus, ; illustrated. Riva Yares The First 35 Years exhibition catalogue. Scottsdale, Arizona: Riva Yares Gallery, illustrated. Solomon, Susan G. New York: Princeton Architectural Press, illustrated. Adolph Gottlieb: Paintings — exhibition catalogue. Text by David S. Scottsdale, Arizona: Bentley Gallery, illustrated. Adolph Gottlieb: Pinturas — exhibition catalogue.

Adolph Gottlieb and the West exhibition catalogue. Anbinder, Paul. Masterworks at the Albright-Knox Art Gallery exhibition catalogue. Cologne: Museum Ludwig, illustrated. London: Dorling Kindersley Limited, illustrated. Berkus, Barry A. Architecture, Art, Parallels, Connections exhibition catalogue. Australia: Images House, illustrated. Farewell to an Idea: Episodes from a History of Modernism. Contemporary American Masters: The s exhibition catalogue. Craven, David. Epic Painting exhibition catalogue.

Text by Stephen Polcari. Muehling, Linda, ed. The New School: Selections from the Collection exhibition catalogue.

Baltimore: John Hopkins University Press, illustrated. Spaulding, Karen Lee. Masterworks at the Albright-Knox Art Gallery. Surrealism in America during the s and s: Selections from the Penny and Elton Yasuna Collection exhibition catalogue. Texts by Martica Sawin and William Jeffett. Petersburg: Salvador Dali Museum, illustrated. Surroundings: Responses to the American Landscape exhibition catalogue. Wetterling: — exhibition catalogue. Stockholm: Wetterling Gallery, illustrated.

Adolph Gottlieb: Works on Paper exhibition catalogue. Munich: ACA Galleries, Belgrad, Daniel. Chicago: University of Chicago Press, illustrated. Birth of the American Avant—Garde exhibition catalogue. Text by Isabelle Dervaux. Boston: Mercury Gallery, illustrated. Contemporary Prints exhibition catalogue.

New York: Associated American Artists, illustrated. Essence of the Orb exhibition catalogue. New York: Michael Rosenfeld Gallery, illustrated. New York: Jewish Museum, illustrated. Founders and Heirs of the New York School exhibition catalogue. Tokyo: Museum of Contemporary Art, illustrated. Frankel, Ellen. The Jewish Spirit. Montreal: Landau Fine Art, illustrated. Masters of Color and Light exhibition catalogue.

Texts by Linda S. Ferber and Barbara Dayer Gallati. The Mythmakers exhibition catalogue. Text by Cesar Paternosto. New York: Cecilia de Torres, illustrated. Sea Change exhibition catalogue. Text by Klaus Kertess. Shioya, Yoko. Japan: Maruzen Publishing, Co. Islamabad: American Ambassadors Residence, illustrated. Von, Johann Wolfgang. Abstract Expressionism in the United States exhibition catalogue.

Voice and Articulation. Gibson, Ann Eden. Abstract Expressionism: Other Politics. New Haven: Yale University Press, illustrated. Hughes, Robert. New York: Alfred A. Knopf, illustrated. Janson, H. History of Art: The Fifth Edition. New York: Harry Abrams, Malerei Des Amerikanisch en Absstraketen Expressionismus exhibition catalogue. Kaiserslautern, Germany: Pfalzgalerie, illustrated. Singular Impressions: The Monotype in America exhibition catalogue.

Washington, D. Tokyo: Sezon Museum of Art, illustrated. Addison Gallery of American Art, 65 Years. American Vanguards exhibition catalogue. Text by Constance Schwartz. Expresionismo Abstracto: Pintura Est Adounidense exhibition catalogue.

Text by Irving Sandler. Rebels: Painters and Poets of the s exhibition catalogue. Text by Franklin Hill Perrell. Abstract Expressionism: Masterpieces from Japanese Collections exhibition catalogue. Tokyo: National Museum of Modern Art, illustrated. Burnham, Patricia M. Redefining American History Painting.

Essence and Persuasion exhibition catalogue. New York: Anderson Gallery, illustrated. Fichner-Rathus, Lois. Understanding Art. Purcell, Ann K. Rushing, W. Austin: University of Texas Press, illustrated. Sawin, Martica. Scholem, Gershom. Major Trends in Jewish Mysticism.

New York: Schocken Books, illustrated. Wisneski, Kurt. Ithaca: Bullbrier Press, illustrated. Adolph Gottlieb: The Complete Prints exhibition catalogue. Text by Ian Harvery. New York: Associated American Artists, Text by Jill Synder. Belgrad, Daniel Mark. Martha Jackson Gallery — exhibition catalogue. Chicago: Art Institute of Chicago, illustrated. The Pictographs of Adolph Gottlieb exhibition catalogue.

Jackson, Mississippi: Mississippi Museum of Art, illustrated. Japan: Brain Trust, Inc. Waldman, Diane. Mark Rothko in New York. New York: Guggenheim Museum Publications, illustrated. Text by Lisa Mintz Messinger. New York: Metropolitan Museum of Art, illustrated.

Adolph Gottlieb: Important Works exhibition catalogue. Braun, Barbara. New York: Harry N. Abrams, illustrated. The League at the Cape exhibition catalogue. Texts by Ronald G. Pisano and Tony Vevers. Provincetown: Provincetown Art Association and Museum, illustrated. Leja, Michael. Reframing Abstract Expressionism: Subjectivity and Painting in the 's. Modern Masters: Paintings and Works on Paper exhibition catalogue.

Ross, Clifford, ed. Abstract Expressionism: Creators and Critics exhibition catalogue. Adolph Gottlieb: The Pictographs — exhibition catalogue. Los Angeles: Manny Silverman Gallery, illustrated. Text by Kathleen Monaghan. Paris: Galerie Gerald Piltzer, illustrated. Text by Ellen Russotto. Transforming the Western Image in 20th Century Art exhibition catalogue.

Wilfredo Lam and His Contemporaries — exhibition catalogue. Harlem: Studio Museum in Harlem, illustrated. Adolph Gottlieb: Epic Art exhibition catalogue. Monotypes of Adolph Gottlieb exhibition catalogue. Texts by Susan Chevlowe and Norman L. Abstract Expressionism and the Modern Experience. London: Cambridge University Press, illustrated. Primitivism et Art Moderne exhibition catalogue.

Text by Philippe Peltier. Paris: Centre National de Documentation Pedagogique, Text by Anne Cohen Depietro. Wheeler, Daniel. Art Since Mid-Century: to the Present exhibition catalogue. New York: Vendome Press, illustrated. Adolph Gottlieb: Major Paintings exhibition catalogue. Adolph Gottlieb, Works on Paper: — exhibition catalogue. Text by Mary Davis MacNaughton. Abstract Expressionism : World of Art Series. London: Thames and Hudson, illustrated.

The Common Wealth exhibition catalogue. Comparisons: An Exercise in Looking exhibition catalogue. Text by Judith Zilczer. Davidson, Gerald C.

Abnormal Psychology. New York: John Wiley and Sons, illustrated. Stockholm: Heland Wetterling Gallery, illustrated. Ross, Clifford. Abstract Expressionism: Creators and Critics.

Shapiro, David and Cecil. Abstract Expressionism: A Critical Record exhibition catalogue. Watercolors from the Abstract Expressionists Era exhibition catalogue. Department of State — Text by Charlotta Kotik. Made in America exhibition catalogue. Sappington, Andrew A. Adjustment Theory, Research, and Personal Applications. Antifascism in American Art.

Abstract Expressionist Drawings — exhibition catalogue. Text by Robert McDaniel. Houston: Janie C. Lee Gallery, illustrated. American Abstract Drawings — Text by Townsend Wolfe. Drawing On the East End: — exhibition catalogue. Eddie Arning exhibition catalogue. Selected Works from the Gallery's Collection exhibition catalogue.

From the Collection exhibition catalogue. Ink Drawings — exhibition catalogue. Pictographs by Adolph Gottlieb exhibition catalogue. Text by Lanier Graham. Canberra: Australian National Gallery, illustrated. Abstract Expressionist Prints exhibition catalogue. Text by April Kingsley. Fletcher, Valerie J. Grabenhorst-Randall, Terre. New York: Hofstra University Press, illustrated. Hunter, Sam, ed. New York: Abbeville Press, illustrated.

Text by Terree Grabenhorst—Randall. Text by Hillarie Faberman. The Spiritual in Art: Abstract Painting — exhibition catalogue. Text by Maurice Tuchman. Treasures of the Jewish Museum exhibition catalogue. Texts by Norman L. Kleeblatt and Vivian B. Twentieth—Century American Art exhibition catalogue. Text by Patterson Sims.

The Window in Twentieth—Century Art exhibition catalogue. Text by Suzanne Delehanty. Brandt, Frederick R. Late 20th Century Art exhibition catalogue. Richmond: Virginia Museum of Fine Arts, illustrated. Castleman, Riva. American Impressions: Prints Since Pollock. New York: Knopf, illustrated. DeVito, Joseph A. Human Communication: The Basic Course. Elementarzeichen exhibition catalogue. Texts by Ellen Lawrence, Judith E. Tolnick and Nancy R. Providence: Bell Gallery, Brown University, illustrated.

Text by Sam Hunter. Selections from the Collection of Marion and Gustave Ring exhibition catalogue. Text by Virginia Wageman. Text by Clement Greenberg. Cologne: Galerie Wentzel, Adolph Gottlieb: Works On Paper exhibition catalogue. Allentown, Pennsylvania: Muhlenberg College, Broder, Patricia Janis. Boston: Little, Brown and Company, illustrated.

Contemporary American Art exhibition catalogue. Prague: American Embassy, illustrated. De Coppet, Laura and Jones, Alan. The Art Dealers. New York: Clarkson N. Potter Publishers, illustrated. Text by Robert S. Tampa: Tampa Museum, illustrated. Guggenheim Museum exhibition catalogue. Primitivism in 20th Century Art exhibition catalogue. Text by William Rubin. In Gottlieb worked on a steamer for his passage to Europe.

Returning to New York in , he finished high school and for the next six years studied at art schools in the city. Gottlieb was awarded a joint prize in the Dudensing National Competition in and in the following year shared a two-man exhibition with Konrad Cramer at Dudensing Galleries in New York.

In the early s he met Mark Rothko and Milton Avery, painters at the Art Students League, who represented the expressionist movement in America at the time. Works by these artists dealt primarily with the depiction of contemporary life through emotions, along with mythological themes from African and Northwest Native American legends.

Also incorporated into this expressionist vocabulary were Freudian and Jungian interpretations of dreams and literature.

Thus, in the s Gottlieb turned inward to representations of his own character and philosophy rather than explicit social themes, even though during this period he was an easel painter for the Work Projects Administration Federal Art Project. As his interest in primitive art forms emerged, anticipating his "pictographic" paintings of the s, Gottlieb won a U. Treasury competition for a post office mural in Yerrington, Nevada. In Gottlieb moved to the desert near Tucson, Arizona, an environment whose flora and relics contributed to a transformation in his subject matter and in his approach to painting.

These abstract forms required an abstract environment in which to exist, and Gottlieb supplied this by tipping the table on which the still-life objects were placed.

This moved the surface sharply toward the picture plane, flattening and reducing the space. He also compartmentalized objects as if by a personal mental discipline of sorting and regrouping. His palette then was rather limited, employing the soft earth colors of his environment.